Half is yours.
Every line, every month.
No fine print you need a lawyer to find. Here's how it works, in plain English.
Where the money goes.
Content ID and UGC income counts as net receipts, the same as streams.
50/50 of net receipts
Net receipts is what comes in after the distributor's fee. We split it down the middle.
Advances come from your half
If you take an advance, it's paid back out of your 50% only. Once it's covered, your half pays out.
15-year license per master
We don't own your song forever. Each master is licensed for 15 years, then the rights come back to you.
Monthly statements
Every month you get a statement: streams, net receipts, your half, what's been recouped and what's left.
No cross-collateral by default
Each deal has its own ledger. One song's advance doesn't eat another song's money unless the contract says so.
We bring the marketing
Content, ads and pitching are on us. We test each release, and the records that hit get more fuel.
How it goes.
We find you
Or you send us the song. Either way, it starts with a record that's working.
We talk
Real call. Terms on the table up front.
We sign
50/50, 15 years, the advance if you want one. Your lawyer reads it, then we sign.
We release
You deliver the masters, artwork and splits. We handle distribution.
We push it
Content and paid marketing, measured at day 3, 7 and 14.
You see the numbers
Statements every month. Same books we look at.
Got a record?
This page is a plain-language summary. The signed contract governs every deal.